Godard On Godard 英文原版 导演谈导演系列 让-吕克·戈达尔 英文版 进口英语原版书籍 azw3 lrf 下载 百度云 夸克云 snb pdf kindle

Jean-Luc Godard, like many of his European contemporaries, came to filmmaking through film criticism. This collection of essays and interviews, ranging from his early efforts for La Gazette du Cinéma to his later writings for Cahiers du Cinéma, reflects his dazzling intelligence, biting wit, maddening judgments, and complete unpredictability. In writing about Hitchcock, Welles, Bergman, Truffaut, Bresson, and Renoir, Godard is also writing about himself—his own experiments, obsessions, discoveries. This book offers evidence that he may be even more original as a thinker about film than as a director. Covering the period of 1950–1967, the years of Breathless, A Woman Is a Woman, My Life to Live, Alphaville, La Chinoise, and Weekend, this book of writings is an important document and a fascinating study of a vital stage in Godard’s career. With commentary by Tom Milne and Richard Roud, and an extensive new foreword by Annette Michelson that reassesses Godard in light of his later films, here is an outrageous self-portrait by a director who, even now, continues to amaze and bedevil, and to chart new directions for cinema and for critical thought about its history.

暂无相关目录，正在全力查找中！

暂无相关内容，正在全力查找中

暂无出版社相关信息，正在全力查找中！

暂无相关书籍摘录，正在全力查找中！

在线阅读地址：Godard On Godard 英文原版 导演谈导演系列 让-吕克·戈达尔 英文版 进口英语原版书籍在线阅读

在线听书地址：Godard On Godard 英文原版 导演谈导演系列 让-吕克·戈达尔 英文版 进口英语原版书籍在线收听

在线购买地址：Godard On Godard 英文原版 导演谈导演系列 让-吕克·戈达尔 英文版 进口英语原版书籍在线购买

To create cinema, all one has to do is film free people.

The so-called left wing has always been the first to criticize the real left-wing film-makers, both Pasolini and Rossellini in Italy, Dovzhenko and Eisenstein in Russia.

As soon as a film comes along which is more or less honest, a climate of suspicion and disparagement springs up.

There once was a man who wanted to create a world: so he began by creating houses, provinces, valleys, rivers, tools, fish, lovers, etc., and at the end of his life, he noticed that this patiently elaborated labyrinth was nothing other than his own portrait

书籍介绍

Jean-Luc Godard, like many of his European contemporaries, came to filmmaking through film criticism. This collection of essays and interviews, ranging from his early efforts for La Gazette du Cinéma to his later writings for Cahiers du Cinéma, reflects his dazzling intelligence, biting wit, maddening judgments, and complete unpredictability. In writing about Hitchcock, Welles, Bergman, Truffaut, Bresson, and Renoir, Godard is also writing about himself—his own experiments, obsessions, discoveries. This book offers evidence that he may be even more original as a thinker about film than as a director. Covering the period of 1950–1967, the years of Breathless, A Woman Is a Woman, My Life to Live, Alphaville, La Chinoise, and Weekend, this book of writings is an important document and a fascinating study of a vital stage in Godard’s career. With commentary by Tom Milne and Richard Roud, and an extensive new foreword by Annette Michelson that reassesses Godard in light of his later films, here is an outrageous self-portrait by a director who, even now, continues to amaze and bedevil, and to chart new directions for cinema and for critical thought about its history.